Robert Fripp

Robert Fripp's Diary

Friday 30 July 1999

Toyah is filming amp Ive

13.22 Toyah is filming, & I've had a relaxing morning reading ("Naming And Necessity" by Saul Kripke & today's Financial Times), browsing local bookshops, & walking along streets with minor architectural gems on every block. The new University of Glasgow's concrete brutalism is rendered more brutal than even its architect intended by dumping it alongside terraces of delight.

An opportunity to catch up on Diary postings postponed during the moving process...

1. Chris Murphy, Hero of Sound, Soundscapes & ProjeKct tours, has written (June 25th.) to point out mis- & non-accreditation for the excellent work he has done on several DGM releases.

Chris writes: "... articles in Guitar Player and 2 consecutive issues of MIX magazine have apparently misquoted David as being responsible for work I have done. Also, perhaps of another mistake in the art department, Robert is credited as primary mixer on the tracks that I mixed for Cirkus, including the ProjeKct One track which he expressly and intentionally abstained from participating in."

Apologies to Chris, who is currently concentrating on his record production & studio work. I'll miss him on the road but look forward to studio work with him somewhere in the future.

2. On June 30th. I received notification of the death of Bhante, a Cambodian monk, in Stockton, California, at the age of 110. Bhante visited Sherborne House & Claymont Court to lead meditation retreats with the students. To be at Bhante's feet in meditation was a privilege.

3. Robert Cozzolino (DGM Guestbook June 11th.) quotes Willem de Kooning (1951): "It is disastrous to name ourselves". I assume this is in response to the morphing of "The King Crimson Collectors' Club" from "The DGM Collectors' Club".

I disagree. Probably, it is disastrous not to name ourselves.

To the extent that we don't know who we are, I agree with de Kooning. If we don't know who we are, best to accept the name/s given to us by others, in the hope that they may better recognise our nature if we are unsure of unselves (or too young). But better still to recognise who & what we are and name ourselves.

Naming is a potent act (e.g. the rites of baptism & christening). In Guitar Craft we take this seriously (but not solemnly). Two possible difficulties of naming:

i) (From "Wizard Of Earthsea" by Ursula K. Leguin): if others know our real name they may use it to exert control over us. (Possibly, then, the use of a pseudonym as defence strategy?).

ii) A name is forced upon us which does not reflect our individuality (e.g. nicknames). This is not self-naming - it's the attribution of others. (But sometimes a nickname is right on the mark - where it sidesteps our own blindspots).

A failure to give ourselves our name indicates a failure to recognise who we are. This is easily seen with the names of successful groups. Otherwise, remember Annie & The Tourists? Well, at least they got it right the second time around.

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